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dc.contributor.authorBaş, Işıl
dc.date.accessioned2019-12-17T10:45:24Z
dc.date.available2019-12-17T10:45:24Z
dc.date.issued2019-12
dc.identifier.urihttps://hdl.handle.net/11413/5830
dc.description.abstractA recurrent internovelistic theme in the work of Japanese writer Yukio Mishima is the threat of insidious, emasculating feminine sexuality and cruelty set against an idealized and purified femininity.However, in the play Madame de Sade (1965) Mishima seems to reveal a much more complex vision of feminine agency and sexuality from the fictional perspective of real women characters in Marquis de Sade's life. This paper will reread Mishima's play in the context of Simone de Beavoir's Must We Burn Sade and Angela Carter's The Sadeian Women both of which refuse to see in Sade a misogynistic, animalistic and banal cruelty.
dc.language.isoen_UStr_TR
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.title(Re) Reading Mishima Reading Sade: An Aesthetics of Transgressive Feminine Sexuality
dc.typeArticletr_TR
dc.contributor.authorID207312tr_TR
dc.relation.journalThe Transgressive Cultures Conference 2019tr_TR


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States