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dc.contributor.authorCeylan, Deniz
dc.date.accessioned2014-09-23T13:12:00Z
dc.date.available2014-09-23T13:12:00Z
dc.date.issued2013-07
dc.identifier.issn2146-5193
dc.identifier.urihttp://hdl.handle.net/11413/794
dc.description.abstractMythology reflects the common and deep memories of nations by transforming the language and cultural codes accumulated since the beginning of mankind into an invaluable collection. Written by C.S. Lewis and half a century later, brought to the cinema screen with rich visual effects, The chronicles of Narnia: the lion, the witch and the wardrobe is the first of a series of fantastic novels that bring to day mythology. Since its birth, cinema has made use of literary narratives, and with the development of technology, the visual representation of fantastic productions has taken on a remarkable state. In this context, elements pertaining to Turkish language and culture in The chronicles of Narnia: the lion, the witch and the wardrobe will be examined and the film’s characters, time and space will be evaluated.tr_TR
dc.language.isotrtr_TR
dc.publisherThe Turkish Online Journal of Design, Art and Communicationtr_TR
dc.subjectNarnia Günlükleritr_TR
dc.subjectMitolojitr_TR
dc.subjectSinematr_TR
dc.subjectAnlatısal Çözümlemetr_TR
dc.subjectThe Chronicles of Narniatr_TR
dc.subjectMythologytr_TR
dc.subjectCinematr_TR
dc.subjectNarrative Analysistr_TR
dc.titleNarnia Günlükleri “Aslan, Cadı Ve Dolap” Sinema Filminin Mitik Arketipleri Ve Anlatısal Çözümleme Yöntemiyle İncelenmesitr_TR
dc.typeArticletr_TR


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